{"id":1050,"date":"2023-03-24T23:39:56","date_gmt":"2023-03-24T23:39:56","guid":{"rendered":"https:\/\/lamacs-amlacs.org\/?p=1050"},"modified":"2023-03-24T23:58:29","modified_gmt":"2023-03-24T23:58:29","slug":"la-memoire-comme-engagement","status":"publish","type":"post","link":"https:\/\/lamacs-amlacs.org\/en\/2023\/03\/la-memoire-comme-engagement\/","title":{"rendered":"The memory as a commitment"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignleft\"><img decoding=\"async\" src=\"https:\/\/web.archive.org\/web\/20131023091435im_\/http:\/\/artsites.uottawa.ca\/lamacs\/doc\/head_sheilapetty.png\" alt=\"\"\/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading\">The importance of personal stories in the film in sub-saharan Africa<\/h3>\n\n\n\n<h5 class=\"wp-block-heading\">Sheila Petty<\/h5>\n\n\n\n<h6 class=\"wp-block-heading\">Sheila Petty is professor of media studies and associate member of the faculty of engineering and applied science at the University of Regina (Canada).<\/h6>\n\n\n\n<p>This article will review briefly how the memory is evoked in six films through the timeline of african cinema : Med Hondo&#039;&nbsp;<em>Sun O<\/em>&nbsp;(Mauritania\/France, 1969), Ousmane Sembene,&nbsp;<em>Xala<\/em>&nbsp;(Senegal, 1975), Flora Gomes,&nbsp;<em>The blue Eyes of Yonta<\/em>&nbsp;(Guinea-Bissau, 1992), Djibril Diop Mamb\u00e9ty&#039;&nbsp;<em>Hyenas<\/em>&nbsp;(Senegal, 1992), Ousmane Sembene&#039;&nbsp;<em>Faat Kin\u00e9<\/em>&nbsp;(Senegal, 2000), and Fanta Regina Nacro&#039;&nbsp;<em>The Night of Truth<\/em>&nbsp;(Burkina Faso, 2004).<\/p>","protected":false},"excerpt":{"rendered":"<p>L&rsquo;importance des histoires personnelles dans le cin\u00e9ma d&rsquo;Afrique subsaharienne Sheila Petty Sheila Petty est professeure d&rsquo;\u00e9tudes m\u00e9diatiques et membre associ\u00e9e de la facult\u00e9 d&rsquo;ing\u00e9nierie et de sciences appliqu\u00e9es de l&rsquo;Universit\u00e9 de Regina (Canada). Cet article examinera bri\u00e8vement comment la m\u00e9moire est \u00e9voqu\u00e9e dans six films \u00e0 travers la chronologie du cin\u00e9ma africain : Med Hondo\u201a&nbsp;Soleil [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":1051,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"off","ocean_gallery_id":[],"footnotes":""},"categories":[33],"tags":[],"class_list":["post-1050","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-atelier-2011","entry","has-media"],"_links":{"self":[{"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/posts\/1050","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/comments?post=1050"}],"version-history":[{"count":2,"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/posts\/1050\/revisions"}],"predecessor-version":[{"id":1053,"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/posts\/1050\/revisions\/1053"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/media\/1051"}],"wp:attachment":[{"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/media?parent=1050"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/categories?post=1050"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/tags?post=1050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}