{"id":1121,"date":"2023-03-25T07:48:24","date_gmt":"2023-03-25T07:48:24","guid":{"rendered":"https:\/\/lamacs-amlacs.org\/?p=1121"},"modified":"2023-04-19T15:40:19","modified_gmt":"2023-04-19T15:40:19","slug":"tactiques-scripturaires-dans-les-cinemas-dafrique-noire","status":"publish","type":"post","link":"https:\/\/lamacs-amlacs.org\/en\/2023\/03\/tactiques-scripturaires-dans-les-cinemas-dafrique-noire\/","title":{"rendered":"Tactics scriptural in cinemas in Black Africa"},"content":{"rendered":"<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"216\" height=\"216\" src=\"https:\/\/lamacs-amlacs.org\/wp-content\/uploads\/2023\/03\/img-pub-cinema-1.png\" alt=\"\" class=\"wp-image-1122 size-full\" srcset=\"https:\/\/lamacs-amlacs.org\/wp-content\/uploads\/2023\/03\/img-pub-cinema-1.png 216w, https:\/\/lamacs-amlacs.org\/wp-content\/uploads\/2023\/03\/img-pub-cinema-1-150x150.png 150w\" sizes=\"(max-width: 216px) 100vw, 216px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h5 class=\"wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\">Under the direction of Boulou Ebanda de b B\u00e9ri,<\/mark><\/h5>\n\n\n\n<h6 class=\"wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\">Cinemas, Vol. 11 (1), (Journal of film studies), Montreal, Qc, Fall, 2000, pp. 11-30<\/mark><\/h6>\n\n\n\n<h3 class=\"wp-block-heading\">The research on the film black african in this article uses the concepts of strategy and tactics, as discussed by\u00a0<mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-pale-cyan-blue-color\"><span class=\"uppercase\">Michel de Certeau .<\/span><\/mark><\/h3>\n<\/div><\/div>\n\n\n\n<p>The hypothesis is that the cinemas of the black africans are infiltrating the structures of strategic cinemas dominant, thus opening new avenues of analysis. A historical overview of the images and discourses on Africa shows how does the appropriation and re-appropriation of the image of Blacks by Blacks themselves. The description of two cinematic sequences illustrates the operation of the re-appropriation through the diversion heavily politicised.<\/p>","protected":false},"excerpt":{"rendered":"<p>Sous la direction de Boulou Ebanda de b&rsquo;B\u00e9ri, CiN\u00e9MAS, Vol.\u00a011 (1), (Revue d&rsquo;\u00e9tudes cin\u00e9matographiques) Montr\u00e9al, Qc, Automne, 2000, pp. 11\u201330 La recherche sur le cin\u00e9ma noir africain dans cet article utilise les concepts de strat\u00e9gie et de tactique, tels que discut\u00e9s par\u00a0Michel de Certeau\u00a0. L&rsquo;hypoth\u00e8se \u00e9mise est que les cin\u00e9mas n\u00e9gro-africains infiltrent les structures strat\u00e9giques [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":1123,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"off","ocean_gallery_id":[],"footnotes":""},"categories":[18],"tags":[],"class_list":["post-1121","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-amlacs-publications","entry","has-media"],"_links":{"self":[{"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/posts\/1121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/comments?post=1121"}],"version-history":[{"count":3,"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/posts\/1121\/revisions"}],"predecessor-version":[{"id":1577,"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/posts\/1121\/revisions\/1577"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/media\/1123"}],"wp:attachment":[{"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/media?parent=1121"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/categories?post=1121"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lamacs-amlacs.org\/en\/wp-json\/wp\/v2\/tags?post=1121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}